San Gerolamo e un devoto


The discovered landscape is the background landscape of the close-up scene of St. Jerome talking to a donor, allegedly Girolamo Amadi, a noble man from Venice.
San Gerolamo e un devotoSan Gerolamo e un devotoSan Gerolamo e un devotoSan Gerolamo e un devotoSan Gerolamo e un devotoSan Gerolamo e un devotoSan Gerolamo e un devoto
 San Gerolamo e un devoto 

On the back of St. Jerome and the donor, the Valmarecchia area is painted in great detail. It’s the area of the valley going from Mount Ceti to Montebello, fading into the Adriatic Sea.

The observation point lies on the ridge of Mount Gregorio and, unlike the three other landscapes of the Diptych; Piero here uses not only an air perspective but also a panoramic one.

On the side of the river closer to us, at the foot of Mount Fotogno, we can distinguish the church with its small cemetery, on the side of the river farer from us, after the Ceti Mountain, we catch a glimpse of the tower of the Church of Uffogliano.

The balcony

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TIMETABLE OF GUIDED TOURS

5th July 2016 / 18th September 2016

San Leo (Battista Sforza/San Gerolamo e un devoto)

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